FREE SOUL

FREE SOUL

Miami, 2018 Mix Media 34 x 64 IN. 86.36 X 162.56CM. ​

GROW UP

GROW UP

Miami, 2018 ​ Mix Media 31.5 X 35.45 IN. 80 X 90CM. ​

GALA

GALA

Barcelona, 2018 ​ Frame: Acrylic , Methacrylate Mix Media 20 x 24 inch. / 51 x 60 cm. ​

DESPLEGARSE

DESPLEGARSE

Barcelona, 2018 ​ Mix Media 48 X 36 IN. 122 X 91CM. ​

GO AND ON

GO AND ON

Rosario, 2018 ​ Mix media. 70 X 30cm. 27.5 X 11.8 in.

Rosario, 2018 ​ Mix Media 82 x 62in. 210 x 160cm. ​

Rosario, 2018 ​ Fabric 82 x 62in. 210 x 160cm.

Rosario, 2018 ​ Mix Media 16 x 63in. 40 x 160cm. ​

STAND

STAND

Rosario, 2018 ​ Fabric 82 x 62in. 210 x 160cm. ​

Miami, 2018 ​ Mix Media 40 x 30in. 101 x 76cm. ​

LAYERS

LAYERS

New York, 2018 ​ Mix Media 40 x 30in.

LAYERS II

LAYERS II

New York, 2018 ​ Mix media 40 x 30in.

MAKE THE DIFFERENCE

MAKE THE DIFFERENCE

New York, 2018 ​ Mix media 36 x 36in. 90 x 90cm.

INSIDE YOU

INSIDE YOU

New York, 2018 ​ Mix media 36 x 36in. 90 x 90cm.

ALWAYS REINVENT

ALWAYS REINVENT

Miami, 2018 ​ Mix Media 40 x 60in. 100 x 150cm. ​

REINVENT YOURSELF

REINVENT YOURSELF

Miami, 2018 ​ Mix media 40 x 60in. 100 x 150cm. ​

TO MY DAD

TO MY DAD

Miami, 2018 ​ Mix media 48 x 36in. 120 x 90cm. ​

FOR YOU DAD

FOR YOU DAD

Miami, 2018 ​ Mix media 48 x 36in. 120 x 90cm. ​

"Layers"

Inicié este proceso con la imperiosa necesidad de soltar, de dejar atrás hábitos y estructuras que ya nada tenían que ver conmigo.

Pasando por diferentes momentos en mi vida, en donde al desestructurarme entendí que es ahora o nunca. Rompo, quiebro, me desarmo, me desnudo para redescubrirme y reencontrarme conmigo misma.

Empiezo cada obra con una idea bocetada y luego ella me va requiriendo intervenirla con distintos materiales en donde me va llevando, a resultados muy distintos, inesperados o al proyectado.

Los materiales que emergen para trabajar son con los que me he criado y me han dado de comer. Los metales son los que visualizaba diariamente en la fábrica de mi padre. También fui integrando materiales  nuevos y más sensibles como maderas, cartones, cintas, cueros y algunos míos ya usados; para resignificarlos y así llegar a mi nueva obra conceptual, llamada LAYERS.

Transgredir los límites de lo establecido, romper con una supuesta bidimensionalidad del canvas, con un atrás y un adelante, un adentro y un afuera es el impulso vital de LAYERS.

I started this process with a serious need to let go, to leave behind habits and structures that had nothing to do with me.
Going through different moments in my life, where when I deconstruct myself, I understood that it’s now or never! I break, I disarm, I get naked to rediscover myself.
I start each work with a sketched idea and then it requires me to intervene with different materials where it’s taking me, to very different results, unexpected or projected.
The materials that emerge to work are those that I have grown up with and have fed me. The metals are what I visualized daily in my father's factory. I was also integrating new and more sensitive materials such as wood, cardboard, ribbons, leather and some of mine already used; to resignify them and thus arrive at my new conceptual work, called LAYERS.
Transgressing the limits of the established, breaking with a supposed two-dimensionality of the canvas, with a back and a forward, an inside and an outside is the vital impulse of LAYERS.